Holding up her glass. Gazing through the chardonnay she says, "Here's to lovers passed. This one, he was taken far too soon." Smiling in the casket as if I could hear it. "Oh, he’s the only one, the only one for me." I would kill to be a ghost. I would kill to be a ghost in the comfort of my own funeral. "Always so compassionate. Oh, a true humanitarian," cries the weeping president, while accompanied by violin. Then as they lay me down to rest, release the doves and fire off the cannon. I would kill to be a ghost. I would kill to be a ghost in the comfort of my own funeral. Oh, to see the final show. Watch the final curtains close in the comfort of my own funeral. ("He's the only one, the only one for me").
Sometimes, I find my listening to Post-Rock that is overly depressing sounding, and its good to balance that out with records that are more "lighter" sounding. It just lifts me up so much! I love how hopeful this record feels to me. veritas_seeker
A darker and more expansive album for an already dark and expansive band. You & I is the aural equivalent of moving through the depths of an empty forest at midnight thrownofan
Cermony's Ross John Farrar experiments with synths, bass, & percussion to make music similar to that from the '80s homemade tape scene. Bandcamp New & Notable Mar 30, 2023
Athletics shaped the emotional yet contemplative emo-influenced post-rock songs, either to cure or to tear off mentality—depends on the listener's. My favourites: "Why Aren't I Home", "Fairview", "Affliction", and "Why Aren't I Home (Orchestral Mix)".
Thank you so much! use2alone